Turkish Get-Ups Step-by-Step
One of my goals of late is to really dial in and focus on the quality of my movement, and that of my athletes. And one of the exercises that I’ve really tried to develop within my coaching and teaching repertoire is the Turkish get-up.
The Turkish Get-up is a fantastic exercise, and while I have espoused some of its benefits before, I think it’s important to recap a few of those here.
In this one simple drill you get a whole host of fantastic benefits, such as:
- Core strength and stability
- T-spine mobility
- Hip mobility
- Hip extension (glute) strength
- Gleno-humeral (shoulder) stability
- Body awareness and proprioception
- Etc.
However, one of the biggest issues I see is when people have no clue how to coach or execute the exercise. A while back, I actually had a gentleman who came to me and thought the only goal was to stand up from the ground while keeping the ‘bell overhead.
Instead of going through all the requisite motions, he actually just did an explosive crunch into a deep squat, and then stood up!
And while that’s impressive, that’s not exactly how it should be done :)
Today, I’m going to take you step-by-step through how I coach the Turkish Get-up. At each point I’m going to give you the following:
- The name of the step/position. This isn’t RKC speak, this is what I use with clients/athletes to help them remember all the various positions of the lift.
- Pictures from the front and/or side.
- Specific coaching cues. Again, these may or may not be RKC specific, but it’s what I’ve found works well with my clients and athletes.
And finally, before we get started, I want to make a few general comments about the lift and my write-up:
- Technically, Lance (my model) should have been looking at the kettlebell from the starting point, up until the split-stance/half-kneeling position.
- DO NOT go out and try this Day 1 with a heavy kettlebell. Work through the positions/steps with body weight first, or even with a shoe on your fist (aka the Extreme Naked Get-up by Brett Jones).
- Please take the time to really feel this lift out. I often tell my clients to pause for a 2 count at each position, as if they’re getting their picture taken at a photo shoot. Beginners are notorious for blowing through this lift, and not really milking all of its benefits. When in doubt, slow it down!
- The seasoned veterans who come across this may not jive 100% with the pictures, how I coach the lift, etc. Keep in mind; my goal isn’t to refine perfection here. Rather, the goal is to get more people performing Turkish Get-ups in a safe and effective manner. I will reference some places where you can learn the finer details at the end of the post.
So without any further ado, let’s get into this!
Step #1 – Starting Position
In the starting position, think about “packing” your shoulder/shoulder blade down and back. We’ll assume you’re holding the weight in your right hand, as that’s how we’ve demonstrated it throughout this progression.
If you’re holding the weight in your right hand, your right knee should be flexed with your heel back near your buttocks, and your left leg should be slightly abducted (away from your body) with your leg straight. I will often cue people to “lengthen” through their heel to get their core turned-on. This is the starting position.


Step #2 – To the Elbow
The first motion is a crunch to get up to your left elbow. Dan John uses the term “punch and crunch,” and I sure haven’t come up with anything better!
So you’re going to crunch and punch, but also drive through your right heel as well. If you combine this with lengthening through your left heel, it will be much easier to keep your left leg straight and fairly flat on the ground.
One key with the crunch is to think of leading with your t-spine or chest. You don’t want your chest caved over. Instead, think about really exaggerating keeping the chest up and out (good thoracic spine extension).


Step #3 – To the Hand
There isn’t too much to think about in this transition. You’re simply shifting your weight from your left elbow to your left hand. Focus on keeping the right shoulder packed and tight to the body, and keeping your chest up and out.


Step #4 - High Post
This is where the TGU really gets fun, and its “corrective” benefits really start to shine through.
From the “on the hand” position, you’re going to actively drive through your right heel into a high bridge. The key here is getting hip extension, versus lumbar spine extension. Keeping your chest up and out from the onset of the lift should help here. Think about squeezing that right cheek hard to get those hips up!
I often cue my clients/athletes to really hold this position for a 2 count, to milk the benefits of this position. Beyond just the hip extension/glute strength, you’re also getting some fantastic shoulder stabilizing benefits on the left-hand side as well.


Step #5 - Sweep the Leg
If you’re a child of the 80’s, you remember this quote:
“Sweep the Leg, Johnny.”
Unfortunately, lame movie references are the only thing I can remember at this portion of the lift. From the high post position, think about sweeping your left leg back to a point where your left knee is on the ground underneath your body.
One of the issue you’ll often see here is a loss of lumbar neutral. If your client has poor hip mobility, they may not be able to maintain a neutral spine, which could cause issues over time.
Cue them to keep their chest up and out and their lower back flat whenever possible. It may also help to have them think about “lengthening” their spine.


Step #6 – Up Tall
From the previous position, this is another smooth transition. All you’re going to do is subtly rotate your left lower leg so it’s straight and in-line with your body, and straighten your torso so you’re up tall.
Once you’re in the “tall” position, this is an opportune time to check everything else: chest up, long spine, shoulder packed, etc.
As I mentioned previously, your eyes should be on the kettlebell throughout most of the lift. This is the first time where you’ll take your eyes from being focused on the kettlebell, to focused straight ahead.


Step #7 - Stand-up
Congratulations! Once you’ve hit this point you’re exactly halfway through one repetition!
All kidding aside, from the half-kneeling position you were just in, you’re simply going to perform a split-squat to stand up to the top position. I’ve heard arguments about exactly how people want this done, but I like to err on the side of simplicity here. Stay tall, drive through your heel, and stand-up to a point where your feet are next to each other.


Step #8 - Reverse Lunge
From the top position, it’s time to work our way back down.
Take an exaggerated step backwards with your left leg, lowering under control until your left knee is on the ground. Focus on staying tall and tight through your midsection, and keeping your shoulder packed throughout.


Step #9 - Windshield Wiper and Hip Hinge
Once you’re set-up in the half-kneeling position, it’s time to start winding the lift up. Begin by finding the bell with your eyes, and doing the “windshield wiper” motion with your left lower leg to get it back into position.
From here, I want you to think about lengthening your spine and actively driving into your right hip. If you do this correctly you should be able to maintain a fairly neutral spine, and get a killer stretch in your right hip as well.


Step #10 – Sweep the Leg
More Karate Kid references come into play here as well.
On the transition back, we don’t tend to focus on the high bridge as much. Sure, it’s a great component of the lift, but it’s a little bit more awkward getting into the right position this time around.
Instead, I’ll often integrate a lower “high bridge” at the same time I’m sweeping the leg through. This portion of the lift is a little bit more athletic verus robotic, in my opinion.

Step #11 - To the Hand #2
You’re in the home stretch now! From the previous transitional position with the hips extended and legs straight, simply drop your hips back down to the ground.
At this point, though, don’t just flop to the ground! Keep your right shoulder backed, t-spine extended, etc.


Step #12 - To the Elbow
Virtually identical to the point above – stay under control! Right shoulder packed, t-spine extended, etc. Control and own this last portion of the lift.


Step #13 - Start/Finish
Woo-hoo! Congrats on performing ONE perfect Turkish get-up.


More on the Turkish Get-up
As I mentioned throughout this piece, I can’t possibly cover all the details of this intricate lift in a blog post.
If you’re interested in really taking your technique and performance to the next level, I would highly recommend either picking up a copy of Gray Cook and Brett Jones’ “Kalos Sthenos” DVD and manual, or actually attending an RKC/HKC event. The book/DVD can show you tons of cool tips and tricks, while the live event will get you hands-on coaching, which we all know is invaluable.
Summary
As you can see, there’s a lot to this lift. I hope the instruction I’ve provided above will help you improve and refine your technique.
As well, if you enjoyed this post, please take a moment to Retweet it, Share it on Facebook, or simply e-mail it to a friend or family member who might enjoy it.
That’s it for today. Enough reading – get out and perform some TGU’s, will ya?
Stay strong
MR
Comments on This Entry
Posted by P. J. Striet at 12:25PM on July 13, 2010
Mike:
Any chance of a video? Good tip on slightly abducting and getting the heel towards the butt...never heard these cues on a get up before.
Posted by Niel at 11:56PM on July 13, 2010
What's the purpose of looking at the implement - KB in this example - the majority of the time?
Posted by Simon Voggeneder at 05:45AM on July 14, 2010
@Niel: From what I have learned and experienced, it is a prime aspect of the Turkish Get-Up to keep the arm holding the weight straight. Looking at the weight enforces control over this distinct aspect as you are able to register any slump.
Posted by Tod at 06:29AM on July 14, 2010
@Niel: Simon's quite right, but there's another aspect at play, too. If your shoulders and upper back are too tight, you will tend to lean over when you get up (and maybe even before) and lose the KB forward. Looking at the KB helps remind you to keep it upright and allows you to get yourself out of the way if you lose control.
Posted by Tod at 07:02AM on July 14, 2010
@Mike:
First, thanks for a nice overview of the performance of the Cook + Jones version of the TGU, which I understand is used as both a movement screen and a corrective sequence. A lot of guys don't like this version of the TGU, especially since it's an ego-bruiser; one has to usually use a smaller weight to handle the high post and hip extension speed bumps that Cook + Jones built into the sequence.
With that said, I have a question. I'm wondering what the value of emphasizing more weight with less high post and hip extension might be. Obviously, such a movement would not be as aesthetic or useful as a screen/mobility enhancer (since the speed bumps are gone), but I've experienced much less shoulder pain as I've become able to do a few TGUs with heavier weights. It seems like there is room for varying emphases in technique in the TGU. The focus on hip mobility in the Cook+Jones TGU is great, but does that come at the cost of trunk strength and shoulder strength that one can build in other versions of the TGU?
What do you think?
Posted by Mike Robertson at 07:56AM on July 14, 2010
@PJ - I'll see what I can do :)
@Niel - Both gave good examples, but it's also to keep you focused on where the 'bell is. Don't want to lose that sucker and have it smash your face!
@Tod - I think there's probably some merit to that, although I would imagine that the hip extension/high post would be one of the easiest positions w/a heavier KB, as the glutes are a big strong muscle. Regardless, a lot of what we do in training is organic, so as long as it's not something that's injurious, I think you're fine.
Great feedback - keep it coming!!
Best
MR
Posted by Peter Fonzanoon at 06:19PM on July 14, 2010
Mike,
I am posting first to thank you for this information, but also to ask a somewhat unrelated question pertaining to the kettlebell in th pictures. What brand do you guys use at IFAST, and would you recommend them to someone opening up a new facility or would you go a different route based upon what you know now? I typically see Dragon Door, Ader, and Lifeline listed as three of the best brands, but was also looking at the Muscle Driver line since the prices seemed right and these are offered by some reputable equipment outfitters. Just curious if you have any of your own thoughts to add in terms of blending performance, overall quality, and value in terms of pricing.
Another consideration is if the brand of bell and accompanying variations in the overall product matters much if you won\'t be using the bells for high(er) rep cleans and snatches. If keeping such movements on the lower end of the scale and then making the most use of the bells in things like TGU\'s and Swings, I would presume that handle and various other considerations might not be as big of a deal as in other cases.
Posted by JP at 08:09PM on July 15, 2010
I really appreciate this post. I have been wanting to see a step by step on Get-ups but haven't gone looking for one yet. This was perfect. Thanks.
Posted by Bruce at 08:16PM on July 15, 2010
Just a query - Is a kettlebell different (better) than a dumbbell
Don't have access to kettlebells
Posted by Mike Robertson at 05:21AM on July 16, 2010
@Peter - We kind of have a hodge-podge mix of KB's at IFAST right now. We have a few from Dragon Door which I really like, especially if you're going to go through the RKC program and need to get adjusted to their bells.
We also have some from Spud Inc. We went this route to get more volume, as they were definitely cheaper. However, they are also MUCH quicker to show wear and tear, so it's harder for me to give them a good review.
Lastly, we just purchased some of the competititon KB's from Perform Better. I like the fact that they are color-coded, and all the same size regardless of weight. I also think there's less of a "stigma" attached to them with our female clients.
Moving forward, I'd either purchase them from DD or Perform Better - it really just depends on your client base/demographic, your budget, and your personal preferences.
@JP - My pleasure man - glad to hear you liked it!
@Bruce - There are numerous articles out there on this topic, but I prefer a KB over a DB for exercises such as snatches, windmills, Get-ups, etc. They both have uses in a S&C program.
Posted by Dave at 01:40AM on August 12, 2010
I've read many articles on the get up, fair play to yourself for not getting into all the hocus pocus nonsense that surrounds this lift.
Personally I love the get up, but have limited use for the High Hip bridge version, prefering instead to go heavy. This is as an old shoulder issue occaisionally prevents me from performing any presses bar the Get Up (not really a press) and push ups on the rings. So for me, the get up is more about the shoulder than the hip.
Since the high hip get up has grown in popularity the last few years, it does seem to have become a very robotic movement, you mention robotic vs athletic very fleetingly in your article. When I use it, and when I teach it, I prefer to go with smooth movement and transtitions rather than robotic stop starts. (I've seen circus performers liting each other and they too used a smooth action, the guy being lifted mainted a human flag the entire lift, pure awesome!)
The point I'm meandering towards is, this. After the trainee has the basics of the lift, do you prefer the robotic or smooth action and why? Or do you allow them to work it out themselves which is best?
Thanks
Dave
Posted by Mike Robertson at 05:15AM on August 12, 2010
Dave -
Great points, and I agree wholeheartedly.
We were actually having this discussion at IFAST the other day. For teaching/learning purposes, I like it a bit more robotic. This ensures that people learn the positions, how their body should feel in each position, etc.
After they have really developed this pattern and the steps involved, though, I like it to become more fluid and dynamic. A better term may be more "athletic."
I hope that helps answer your question. Great point!
Best
MR
Posted by Dave at 07:17AM on August 12, 2010
Thanks.
Definatly with you on \"Athletic\" most of my guys are martial artists and so have no use for robotic movements.
When I teach the get up, it\'s in a broken down format, but as soon as the student gets it, we encourage smoothness and every so often test out for a 1RM.
Regards
Dave